Till Eulenspiegel's Merry Pranks – Bass Part
Edited by Paul Ellison
Title: Till Eulenspiegel's Merry Pranks
Composer: Richard Strauss
Edited By: Paul Ellison
The bass part for Strauss' Till Eulenspiegel's Merry Pranks, Op. 28 has been edited by Paul Ellison, in-demand double bassist, professor, presenter, and former Houston Symphony Orchestra principal bassist of 23 years. Ellison's bowings, fingerings and other editorial markings have been added throughout the score.
Till Eulenspiegel's Merry Pranks is a tone poem by Richard Strauss which chronicles the misadventures and pranks of the titular German peasant folk hero. Till Eulenspiegel is represented by two themes. The first, played by the horn, is a lilting melody that reaches a peak, falls downward, and ends in three long, loud notes, each progressively lower. The second, for D clarinet, is crafty and wheedling, suggesting a trickster doing what he does best. The work is scored for a large orchestra.
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Dear bassist or interested party,
All my editing is done in the spirit of "living editions." They are never finished or to be considered set in stone. Bowings, articulations, fingerings, dynamics and phrasings may change with conductors, historical performance considerations, change of instrument, bow or strings, differing venues, individual physical considerations, change of climate or altitude not to mention additional acquired knowledge or change in personal taste. Asking oneself to have about five ways to play most passages seems to cover the fluctuating circumstances mentioned in addition to giving oneself reason and context for choices to be made. Each set of performances of any major work is likely to prompt some change(s). The very nature and future of music as an art form demands live, dynamic, fresh interpretations which frequently necessitates realizing that there actually is no "rule book" and that the "bass police" will never actually show up.
Please accept this editing in the spirit of knowing that our skills and abilities are in constant flux and may require many possibilities. Here's to great music making.
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